The Society Of Classical Poets, Inc
The Society was established in 2012 by Evan Mantyk, an English teacher, and Joshua Philipp, a journalist. It runs several poetry contests, including a “Friends of Falun Gong Poetry Contest”, yearly since 2016. It was a fun time and I look forward to hearing what Larry thinks of my little book, since many of us know how much weight a recommendation from him can carry. The varied strains of the pieces all come together under a profound frame story of the Creator coming to earth to impart classical arts and culture that today are under attack. It’s an exciting story both inside the art and outside it as Shen Yun is in fact banned in China and there are detailed accounts of harassment and anti-Shen Yun campaigns carried out by Chinese consulates and overseas Chinese media around the world.
Many more can be found by anyone valiant, longsuffering and patient enough to wade through Muck’s opus. Juster, a major formalist poet as well as the former Social Security Administration Commissioner under the Obama and Bush administrations. NewPages.com is news, information, and guides to literary magazines, independent publishers, creative writing programs, alternative periodicals, indie bookstores, writing contests, and more. Since I questioned the Keystone Scops in public, I have been called a “hillbilly,” a “failed editor” who publishes “greeting card verse,” etc. The Society of Classical Poets, a non-profit organization formed in 2012, publishes an annual literary magazine called The Society of Classical Poets Journal. They are dedicated to the continuation of Beauty, Goodness, Truth, and excellent poetry.
Modern poetry Modern Chinese poems (vers libre/free verse) usually do not follow any prescribed pattern. Poetry was revolutionized after the May Fourth Movement when writers try to use vernacular styles closer to what was being spoken rather than previously prescribed forms. Early twentieth-century poets like Xu Zhimo, Guo Moruo and Wen Yiduo sought to break Chinese poetry from past conventions by adopting Western models; for example Xu consciously follows the style of the Romantic poets with end-rhymes.
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Try to read at least one previous publication to get a better idea of what the editor would like to see. Since I questioned the Keystone Scops in public, I have been called a “hillbilly,” a “failed editor” who publishes “greeting card verse,” etc.
The autobiographical aspect becomes less important; instead, the interlocutor becomes the depository of a truth that is often quite different from that of other speakers. The denunciations do not always seem consistent with Horace’s usual point of view, and sometimes it is hard to tell when Horace is being ironic and when he is indulging in genuinely serious reflection. Archaic Greek lyric, in which the poet was also the bard of the community, and the poet’s verse could be expected to have a political effect.